Of Sea Walls and Rising Rides: Critical Race/Religion Readings of ‘White Crisis’ in Science Fiction Dystopia Part 1 of 3

In October of last year, I attended the screening of director Denis Villeneuve’s Blade Runner 2049, the long-awaited sequel to Ridley Scott’s dystopian science fiction classic, Blade Runner (1982). Both films were co-written by Hampton Fancher and inspired by Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968). Just for the record, I find the screenplays written by Fancher and his collaborators far more engaging than Dick’s novel, and this tends to be the case with so many other of his works including, for example, The Man in The High Castle (1962).